This has been a ROUGH week (or 2). I have a very sick kitty with a dire prognosis and I've had gobs of work keeping me very busy (no complaints about the work part - it's a nice problem to have for a new business). Needless to say, my ABS Challenge piece sat on my desk with a whopping 2 things to finish before I could photograph it! Well, I'm not going to make the cut for the challenge, but I can at least show you my final piece and dream about Paris for a bit.
Here is the inspiration piece by the wonderful Vincent Van Gogh.
Ahhhhh, Paris and my favorite place in Paris - Montmartre. I've gone there in my mind MANY times this week and it has been good for my soul.
We've traveled to Paris twice. The first trip we stayed in Montmartre, just off the little square where the Guimard-designed Abbessess Metro station entrance is.
Our room in our hotel - the charming Hotel Regyn Montmartre - look out over the city towards the Eifel Tower. Buskers were always playing in the square, so the sounds of French music being played on the accordion always wafted into our room. There was always a cat or two sitting in the window sills of the apartments and, just around the corner, one of the last of the 2 remaining windmills sat halfway up the hillside.
I would do anything to transport myself to Montmartre right this very second, but photos, memories and this necklace will have to do for now.
My Window in Montmartre:
The artist beads used in this piece are:
Red Enamel Pinwheel - Jade Scott
Ceramic Dot and Lentil Beads - Elaine Ray via Ornamentea
Glass Flower - Mermaid Glass
BTW, I have watched 2 wonderful films lately that take places in Paris.
Midnight in Paris - the charming Woody Allen film that has an amazing love letter to Paris set to music.
Hugo - Martin Scorsese's 2011 Oscar Nom that I LOVED.
Of course, if I really want a Montmartre fix, I watch Amelie.
What's your favorite Paris film?
Showing posts with label Art Bead Scene. Show all posts
Showing posts with label Art Bead Scene. Show all posts
Sunday, April 1, 2012
Monday, March 12, 2012
Glass Headpin Challenge - Part 2
I can't believe I'm writing anything at the moment. I've been writing and editing copy for my PreFurred Pet Care website. ALL. DAY. LONG. We are INCHES away from launching and we were pushing our way to the finish line...and then the server went down. We finished the copy but, by the time the server was back up, it was late...much too late to completely finish. But, I can see the end and it is near!!!
Meanwhile, I received my package from Lorelei yesterday for the Gardanne Beads Glass Headpin challenge.
See those blue beauties on the far left? Those are mine! I'm thrilled and I have a concept I want to play with. My idea involves getting out the torch - which always scares me a little. I'm slightly afraid of fire (which I'm not sure is something allowed for a fire sign). I jokingly blame Disney for my uncomfortable feelings around fire. Growing up in Huntington Beach, Disneyland was close by and we visited often. I remember riding Pirates of the Caribbean at a very young age (I was 4 when the attraction first opened). The last scene before you go "up the waterfall" is the burning prison. It both fascinated me and scared me enough to produce some fire nightmares. Around the same time, Bambi was re-released in theaters and that story has a monumental fire scene as well. I am not one to be afraid of much. I really have no major phobias to speak of, but, there's just something about fire......
Anyways, I have a torch. I've used it for enameling on and off and I also use it for annealing wire and drawing a bead on a strand of wire, but, I'm certainly no torch master. So, wish me luck and pray I don't burn the house down.
Meanwhile, the Art Bead Scene challenge this month uses this Van Gogh piece for inspiration.
Well, Montmartre is one of very FAVORITE places in the world. It doesn't take much for me to transport myself back to that lovely place. Inspiration is something I have in spades. My problem is going to be more one of editing and focus. If I used every thought that this scene brings to mind, I would have one royal mess on my hands. I drew out a concept last night to try to start the editing process. We'll see where it takes me.
I hope you all have a lovely week. I hope to get some quality studio time into my week. The messy closet can wait, right?
Lisa
Meanwhile, I received my package from Lorelei yesterday for the Gardanne Beads Glass Headpin challenge.
See those blue beauties on the far left? Those are mine! I'm thrilled and I have a concept I want to play with. My idea involves getting out the torch - which always scares me a little. I'm slightly afraid of fire (which I'm not sure is something allowed for a fire sign). I jokingly blame Disney for my uncomfortable feelings around fire. Growing up in Huntington Beach, Disneyland was close by and we visited often. I remember riding Pirates of the Caribbean at a very young age (I was 4 when the attraction first opened). The last scene before you go "up the waterfall" is the burning prison. It both fascinated me and scared me enough to produce some fire nightmares. Around the same time, Bambi was re-released in theaters and that story has a monumental fire scene as well. I am not one to be afraid of much. I really have no major phobias to speak of, but, there's just something about fire......
Anyways, I have a torch. I've used it for enameling on and off and I also use it for annealing wire and drawing a bead on a strand of wire, but, I'm certainly no torch master. So, wish me luck and pray I don't burn the house down.
Meanwhile, the Art Bead Scene challenge this month uses this Van Gogh piece for inspiration.
Well, Montmartre is one of very FAVORITE places in the world. It doesn't take much for me to transport myself back to that lovely place. Inspiration is something I have in spades. My problem is going to be more one of editing and focus. If I used every thought that this scene brings to mind, I would have one royal mess on my hands. I drew out a concept last night to try to start the editing process. We'll see where it takes me.
I hope you all have a lovely week. I hope to get some quality studio time into my week. The messy closet can wait, right?
Lisa
Friday, November 11, 2011
Art Bead Scene November Challenge
I've been trying to do the Art Bead Scene Blog's Monthly Challenge each month (and managing about every other month). The challenge is to create a piece inspired by a piece of art using at least one art bead. This month, I used the beads of 3 different artists. Here's information about this month's challenge:

Madonna Pietra degli Scrovigni
by Marie Spartali Stillman (1844-1927)
Watercolour, gouache and gum arabic, 30.9in × 24.1 in.
About the Art
Given to the Walker Art Gallery on behalf of subscribers, by Harold Rathbone.
The woman is a character from the Italian poet Dante. She was described as a heartless lady dressed in green. In her hand she holds a crystal bowl reflecting the figures of Love and Dante.
This type of painting, a half length femme fatale in Renaissance costume, was initiated by Rossetti and imitated by many others. The artist of this picture knew Rossetti. She modelled for one of the handmaidens in Rossetti's painting 'Dante's Dream' (Walker Art Gallery).
About the Artist
Marie Spartali was born in Middlesex in 1843, daughter of Michael Spartali, import-export merchant and sometime Greek consul in London, and by birth and acquaintance like Maria Zambaco (mistress of Edward Burne-Jones) a member of the cultured Greek community in London whose doyen was Constantine Ionides. From 1864-70 she trained under Ford Madox Brown, alongside his daughters Catherine and Lucy.
She was a noted 'stunner' (the Pre-Raphaelite slang for a good-looking woman) and sat for Rossetti and Burne-Jones as well as the photographer Julia Margaret Cameron. In 1871 she married against her family's wish the American journalist and amateur artist W.J. Stillman; they had three children, one of whom died in infancy. Owing to her husband's work as a newspaper correspondent the family settled in Florence in 1878, and then Rome until 1898. Despite prolonged residences abroad, Spartali became a regular contributor to Grosvenor Gallery from 1877 until 1887, and its sucessor - the New Gallery - as well as at various venues in eastern USA.
Her sustained output proves her professionalism, but little of her work seems to have sold. Her favoured subjects were literary-historical figure groups and decorative female heads preferred by patrons; landsapes and flower pieces are equally representative though less distinctive. Many of her works draw on Italian literary themes, especially Dante and Boccaccio as well as depicting Italian landscape.
Her daughter Euphrosyne (Effie) became an artist, as did her step-daughter Lisa Stillman; her son Michael was an architect and settled in America, where retrospective shows were held in 1908 and 1982.
She died in Britain in 1927.
Anything connected to the PreRaphaelites is right up my alley! I was an Art History major in college and the PreRaphs were always a favorite topic. I still devour every book, show, and film about this period of time (no matter how much artistic license is taken).
My piece:
About the piece:
November ABS Challenge. Enameled Bud Pendant - Jade Scott, Enameled Butterfly - Gardanne Beads, Polymer Clay Flowers - Too Aquarius with Czech Glass Flowers, Dupioni Silk Ribbon, Indonesian glass beads, antique brass chain, Tourmaline and Chrisocolla.
The arch of flowers and the fabric of the subject's dress inspired this piece. The Chrysocolla looks like the round stone the subject is holding in her hand and the dipioni silk ribbon reminds me of her shimmering dress. While there is no butterfly in the original painting, it was not difficult for me to imagine one fluttering around her head.
Let's see if I can make it 2 months in a row for the ABS Challenge.
Lisa

Madonna Pietra degli Scrovigni
by Marie Spartali Stillman (1844-1927)
Watercolour, gouache and gum arabic, 30.9in × 24.1 in.
About the Art
Given to the Walker Art Gallery on behalf of subscribers, by Harold Rathbone.
The woman is a character from the Italian poet Dante. She was described as a heartless lady dressed in green. In her hand she holds a crystal bowl reflecting the figures of Love and Dante.
This type of painting, a half length femme fatale in Renaissance costume, was initiated by Rossetti and imitated by many others. The artist of this picture knew Rossetti. She modelled for one of the handmaidens in Rossetti's painting 'Dante's Dream' (Walker Art Gallery).
About the Artist
Marie Spartali was born in Middlesex in 1843, daughter of Michael Spartali, import-export merchant and sometime Greek consul in London, and by birth and acquaintance like Maria Zambaco (mistress of Edward Burne-Jones) a member of the cultured Greek community in London whose doyen was Constantine Ionides. From 1864-70 she trained under Ford Madox Brown, alongside his daughters Catherine and Lucy.
She was a noted 'stunner' (the Pre-Raphaelite slang for a good-looking woman) and sat for Rossetti and Burne-Jones as well as the photographer Julia Margaret Cameron. In 1871 she married against her family's wish the American journalist and amateur artist W.J. Stillman; they had three children, one of whom died in infancy. Owing to her husband's work as a newspaper correspondent the family settled in Florence in 1878, and then Rome until 1898. Despite prolonged residences abroad, Spartali became a regular contributor to Grosvenor Gallery from 1877 until 1887, and its sucessor - the New Gallery - as well as at various venues in eastern USA.
Her sustained output proves her professionalism, but little of her work seems to have sold. Her favoured subjects were literary-historical figure groups and decorative female heads preferred by patrons; landsapes and flower pieces are equally representative though less distinctive. Many of her works draw on Italian literary themes, especially Dante and Boccaccio as well as depicting Italian landscape.
Her daughter Euphrosyne (Effie) became an artist, as did her step-daughter Lisa Stillman; her son Michael was an architect and settled in America, where retrospective shows were held in 1908 and 1982.
She died in Britain in 1927.
Monthly Challenge
Challenge Color Palette
The Prizes:
A winner will be randomly chosen from all the qualifying entries on December 1st.
Our sponsors this month are Hint Jewelry and Mary Harding Jewelry.
Anything connected to the PreRaphaelites is right up my alley! I was an Art History major in college and the PreRaphs were always a favorite topic. I still devour every book, show, and film about this period of time (no matter how much artistic license is taken).
My piece:
About the piece:
November ABS Challenge. Enameled Bud Pendant - Jade Scott, Enameled Butterfly - Gardanne Beads, Polymer Clay Flowers - Too Aquarius with Czech Glass Flowers, Dupioni Silk Ribbon, Indonesian glass beads, antique brass chain, Tourmaline and Chrisocolla.
The arch of flowers and the fabric of the subject's dress inspired this piece. The Chrysocolla looks like the round stone the subject is holding in her hand and the dipioni silk ribbon reminds me of her shimmering dress. While there is no butterfly in the original painting, it was not difficult for me to imagine one fluttering around her head.
Let's see if I can make it 2 months in a row for the ABS Challenge.
Lisa
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